
In the Fog
In 1942, Belarus is in the hands of Nazis and the local militia. Sushenya is
taken from his house in the middle of the night by Burov and his sidekick
Voitik, two partisan fighters hiding out in the hills and forest. Sushenya is
the only one of four captured rail workers who has been allowed to live by the
occupying Germans after seemingly sabotaging the rail tracks. With the village
and even his wife turned against him as a collaborator, Sushenya accepts what
must happen next until the Germans suddenly appear and he is - perhaps - given a
second chance, leaving space for doubt both on his betrayal and on the
legitimacy of punishment by death. The three and later two - men walk in the
wood, exhausted, fleeing death from the Nazis while discussing and living the
moral dilemmas of treason, heroism, guilt and revenge.
Shot in sumptuous long takes and vibrant colour, In the Fog ultimately questions
the corruption of man's very humanity in the context of war.
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Description
In 1942, Belarus is in the hands of Nazis and the local militia. Sushenya is
taken from his house in the middle of the night by Burov and his sidekick
Voitik, two partisan fighters hiding out in the hills and forest. Sushenya is
the only one of four captured rail workers who has been allowed to live by the
occupying Germans after seemingly sabotaging the rail tracks. With the village
and even his wife turned against him as a collaborator, Sushenya accepts what
must happen next until the Germans suddenly appear and he is - perhaps - given a
second chance, leaving space for doubt both on his betrayal and on the
legitimacy of punishment by death. The three and later two - men walk in the
wood, exhausted, fleeing death from the Nazis while discussing and living the
moral dilemmas of treason, heroism, guilt and revenge.
Shot in sumptuous long takes and vibrant colour, In the Fog ultimately questions
the corruption of man's very humanity in the context of war.












